William Mortensen

3 06 2015

William Mortensen seems preoccupied with sexual themes in his work. He is often contrasting ideal beauty with ideal ugliness. In my view he is contrasting a kind of idealized existence that humans imagine themselves living in against the real ugliness and indifference of life. His work is arresting. And there is a voyeur aspect to it. And in that sense we are on the outside looking in. The viewer is not part of either of Mortensen’s views (beauty/ugly) (madonna/monster). Mortensen’s work is all photographic. By that I mean he doesn’t appear to use cut and paste.





William Mortensen

15 02 2015

William Mortensen seems preoccupied with sexual themes in his work. He is often contrasting ideal beauty with ideal ugliness. In my view he is contrasting a kind of idealized existence that humans imagine themselves living in against the real ugliness and indifference of life. His work is arresting. And there is a voyeur aspect to it. And in that sense we are on the outside looking in. The viewer is not part of either of Mortensen’s views (beauty/ugly) (madonna/monster). Mortensen’s work is all photographic. By that I mean he doesn’t appear to use cut and paste.

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William Mortensen

16 07 2012

William Mortensen seems preoccupied with sexual themes in his work. He is often contrasting ideal beauty with ideal ugliness. In my view he is contrasting a kind of idealized existence that humans imagine themselves living in against the real ugliness and indifference of life. His work is arresting. And there is a voyeur aspect to it. And in that sense we are on the outside looking in. The viewer is not part of either of Mortensen’s views (beauty/ugly) (madonna/monster). Mortensen’s work is all photographic. By that I mean he doesn’t appear to use cut and paste.

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William Mortensen

18 03 2011

William Mortensen seems preoccupied with sexual themes in his work. He is often contrasting ideal beauty with ideal ugliness. In my view he is contrasting a kind of idealized existence that humans imagine themselves living in against the real ugliness and indifference of life. His work is arresting. And there is a voyeur aspect to it. And in that sense we are on the outside looking in. The viewer is not part of either of Mortensen’s views (beauty/ugly) (madonna/monster). Mortensen’s work is all photographic. By that I mean he doesn’t appear to use cut and paste.