Zena Holloway

4 05 2015

Zena Holloway’s work is beautiful. As we used to say, it will knock your socks off. Which is an odd expression. But for one who swims like a stone, this work is so graceful, sublime, and wondrous.





Edwin Georgi

24 01 2015

The pin up girl. The fantasy of the girl next door beauty. Pulp novels and movies, melodramas are filled with her presence. She is a male ideal. Not exactly. She is an ideal captured and cultivated by the fashion, make-up, and advertising world. Almost every First Lady has looked like her. Edwin Georgi is one the artists who has made his career around her. And yet. She does not exist.

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Joseph Leyendecker

7 01 2015

Joseph Christian Leyendecker (March 23, 1874 – July 25, 1951) was one of the preeminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post.[1][2] Between 1896 and 1950, Leyendecker painted more than 400 magazine covers. During the Golden Age of American Illustration, for The Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication.[3] Leyendecker “virtually invented the whole idea of modern magazine design.”

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Serge Lutens

5 01 2015

 

Serge Lutens is a French photographer, filmmaker, hair stylist, perfume art-director and fashion designer. Serge Lutens is most well known for his art direction and photography for Japanese cosmetics company Shiseido in the 1980s.

I love his use of flat spaces. Gorgeous.

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Pedro Nekoi

27 12 2014

One thing that you can be sure of with commercial art is that it will be accomplished. The next thing you’ll notice is that it offends no one. Its like a tossed salad. All green and reds and yellows. Nothing brown.

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Diane Melfi

2 12 2014

Perhaps these pics are another version of the black velvet paintings. But I’m feeling nostalgic. And I recall all these neon posters in friend’s rooms. During college. That almost glowed in the dark. And of course were drug related. The girls in these pics do seem to vibrate the colours around them. Remind me of one particular girl. Whose skin was as dark as oak marble. And whose teeth shone like snow.

I don’t know if Diana Melfi is particularly talented. But these do grab your attention.

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ANDREY YAKOVLEV

20 10 2014

What I love about some fashion shoots is the use of narrative. It is a staged story. Without dialogue. Everything is in the relationship of shots. Dark Days is like that. Something is happening. Perhaps demonic. Or sexual. Certainly dramatic. We impose a story line on the settings that are presented to us. And if that story is somewhat vague… no matter. We are tuned in.

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