Jenna Anderson

2 09 2016

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American Bandstand

2 09 2016

American Bandstand





MY FATHER

2 09 2016

iAMaBOOK

My father was the kindest of men. He lived near the plant so that he could be home early, so that he could unplug the eaves troughs, so that he could reinvent the basement in a dream he had of paradise, so that he could hold my mother. The plant made tires, with a ceiling just over eight feet, crowded with heat and the stench of hot rubber. For forty years he worked there so that he could come home, pick up my head or my sister’s, and toss it in the sky like a ball. And he would laugh. But his face was so distant. Like he was watching me and my sister from a great distance. Like he was living on borrowed time. Like he was trying to store up his memories, making home movies in his head. Looking over his shoulder. Wondering when it was coming. And…

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strutting

2 09 2016

Strutting2





St. Syncletica of Alexandria

2 09 2016

St. Syncletica of Alexandria





St. Pulcheria Augusta

2 09 2016

St. Pulcheria Augusta





Galileo Chini

2 09 2016

Galileo Chini (1873–1956) was an Italian decorator, designer, painter, and potter. A prominent member of the Italian Art nouveau movement, he taught decorative arts at the Accademia di Belle Arti in Florence. He was responsible for several of the paintings and decorations in the Brandini Chapel at Castelfiorentino, the church of San Francesco de’ Ferri in Pisa, and the Ananta Samakhom Throne Hall in Bangkok. His theatrical work included designing the sets for the European premiere of Puccini’s opera Gianni Schicchi (Rome, January 1919) and the world premiere of his Turandot (Milan, 1926). He also created the sets for the premieres of Umberto Giordano’s opera La cena delle beffe (Milan, 1924) and Sem Benelli’s play of the same name on which the opera was based (Rome, 1909).

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