Sofonisba Anguissola

20 10 2015

Sofonisba Anguissola was the oldest of seven children in an aristocratic family. Her father ensured that Sofonisba and her sisters were educated in the fine arts. Sofonisba was an apprentice of Bernardino Gatti.

In 1554 she traveled to Rome and met Michelangelo, who recognized her talent. Michelangelo even sent her some of his own drawings so that she would copy them and send back to him for critique.

Sofonisba was invited to join the Spanish court of Philip II in 1559, and became the painting tutor to Queen Elisabeth of Valois.

 

 





Catharina van Hemessen

20 10 2015

Caterina, or Catharina van Hemessen (1528 – after 1587) was a Flemish Renaissance painter. She is the earliest female Flemish painter for whom there is verifiable extant work. She is mainly known for a series of small scale female portraits completed between the late 1540s and early 1550s and a few religious compositions.[2]

Van Hemessen is often given the distinction of creating the first self-portrait of an artist (of either gender) depicted seated at an easel. This portrait, created in 1548, shows the artist in the early stages of painting a portrait and is now part of the collection of the Kunstmuseum Basel.[3] Other paintings by van Hemessen are in the Rijksmuseum in Amsterdam and in the National Gallery, London.

A number of obstacles stood in the way of contemporary women who wished to become painters. Their training would involve both the dissection of cadavers and the study of the nude male form, while the system of apprenticeship meant that the aspiring artist would need to live with an older artist for 4–5 years, often beginning from the age of 9-15. For these reasons, female artists were extremely rare, and those that did make it through were typically trained by a close relative, in van Hemessen’s case, by her father, Jan Sanders van Hemessen.





Nicolas Lampert

20 10 2015





the rising

20 10 2015





Reclining Nude 16

20 10 2015

Reclining nude 16